The series Untitled results from photographing at random ,without looking into the camera (started from 2018). The camera is somehow autonomous: it becomes like a “third eye” that capture a direction, a moment and a composition that I would never catch. Then my role is just to select from thousands of snapshots without any modification. It is part of a reflection I’ve been having on the notion of free-will and try to get around imposed determinism. The final photograph leads to the Japanese notion of Ma 間 or negative space, as a gap in subjective perception.